OUR REVIEW:
I very much let my mood determine what I'm reading and I've been psychotically jumping from lighthearted romcoms to heavy emotional reads to more literary fiction, with seemingly no rhyme or reason. So obviously, when I picked up The Marriage Portrait, I was in the mood to read something more character driven, which is how I remembered the other thing I've read by O'Farrell, Hamnet. And yes, this novel was character driven, but I also found it to be action-y too. Rather than feeling like I was slogging through a lit fic work, I was flying through it. I found the story of Lucre to be engaging and surprising, and while I didn't enjoy the stifling misogyny that Lucre faced, I did enjoy her observations and her strength. I can't imagine living in that era, but Maggie O'Farrell brought it to life and made a time period that I'd never really want to live in, not feel quite as bad as I imagine it might have been. She fills the page with color and sights and sounds and even though Lucre's life wasn't the most evolved feminist life by a long shot, and I felt for her plight, I was also entertained by it all. I'm really not explaining this well, so ultimately my take away is that literary fiction can sometimes feel like a slog that I don't want to take and Maggie O'Farrell's novels never feel that way to me. I always (wrongly) assume that I'm going to have to work harder for less pay off and in the two novels I've read of hers, I walk away feeling happy that I read her work. Definitely a literary fiction writer that I'll always read.
SYNOPSIS:
Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding to the ruler of Ferrara, Modena and Reggio, Lucrezia is thrust unwittingly into the limelight: the duke is quick to request her hand in marriage, and her father just as quick to accept on her behalf.
Having barely left girlhood behind, Lucrezia must now enter an unfamiliar court whose customs are opaque and where her arrival is not universally welcomed. Perhaps most mystifying of all is her new husband himself, Alfonso. Is he the playful sophisticate he appeared to be before their wedding, the aesthete happiest in the company of artists and musicians, or the ruthless politician before whom even his formidable sisters seem to tremble?
As Lucrezia sits in constricting finery for a painting intended to preserve her image for centuries to come, one thing becomes worryingly clear. In the court’s eyes, she has one duty: to provide the heir who will shore up the future of the Ferranese dynasty. Until then, for all of her rank and nobility, the new duchess’s future hangs entirely in the balance.
Full of the beauty and emotion with which she illuminated the Shakespearean canvas of Hamnet, Maggie O’Farrell turns her talents to Renaissance Italy in an extraordinary portrait of a resilient young woman’s battle for her very survival.